How far can jealousy take you? A rarely revived Othello-inspired tale of love, loss and obsessive passion. After fleeing in shame from a lost duel, De Monfort comes face to face with the man who spared his life. Overwhelmed by the lifelong grudge he holds, he tries in vain to follow the advice of his friends and beloved sister. Is his rival truly working against him or is he lashing out at shadows? As vengeance and envy take hold, friendship cracks and schemes push towards uncertainty and bloodshed. Much admired by Lord Byron, Joanna Baillie explores passions and their ability to take hold of the mind.
Do you believe in paradise? Do you believe in family? Do you believe in god? Do you believe in war? Commissioned and toured by the Theatre Centre, Leo Butler exposes war and its aftermath among a group of confused young people in this George Devine Award-winning piece of theatre.
You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's The Diary of a Hounslow Girl is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London.
Some people are lucky: they get through life thinking the ground beneath them is solid . . .
London, 1970: experimental psychiatrist R. D. Laing is facing eviction from his pioneering asylum in the East End’s Kingsley Hall. Local residents are up in arms – and to make matters worse, Ronnie’s revolutionary colleague David Cooper is flipping out on the roof . . . With his personal life going down the pan and his mental state heading the same way, Ronnie takes an acid trip to the future. His mission is to save his therapeutic collective, The Philadelphia Association, and secure his professional legacy. Will it be a one-way ticket to madness – or can breakdown sometimes mean breakthrough?
In 1965 R. D. Laing and his associates turned London’s Kingsley Hall into a pioneering residential treatment centre. A safe haven for people with psychosis and schizophrenia, it was a controversial asylum with no locks on the doors, where treatment with antipsychotic drugs was considered taboo. Instead, Laing encouraged residents to embrace madness as an attempt at self-healing. Laing himself became a darling of the swinging Sixties with admirers including The Beatles, Jim Morrison, Sylvia Plath, Ted Hughes and Sean Connery. This manic farce explores the ideas of radical psychiatrist R. D. Laing on the 50th anniversary of the Philadelphia Association which he co-founded. Ideas which were way ahead of their time about the treatment of those with mental health issues, have now been incorporated into everyday practice.
Paul's father, Rick, was a professional climber who fell to his death climbing a cliff in Wales. Paul wants two things – to climb the same cliff and to find out whether his father's death was an accident or suicide. He is helped by friends Stevie and Martin, from the same town. On the climb, Paul discovers what happened to his father, and a great deal about himself.
Duped is a satire which is set on an airship designed to carry out covert operations for the South African government to safeguard the security of the country and international delegates visiting our shores. The cleverness of the work is the multi-faceted themes of ‘Big Brother is watching’ as South Africa enters the realms of international politics; the threats of internal security and challenges of maintaining a productive workforce; gender politics; and the jostling for power along race and class divides. The standout genius in the play is when the ship’s American designer, Mr. Johnson, takes out his latest invention, a reconciliatory chip, and extols: ‘It’s time to forgive me.’ Images of our Truth and Reconciliation Commission come flooding to mind and the path of the healing of our nation following the atrocities of Apartheid are juxtaposed against the positioning of our democracy in present day South Africa. Have we been naïve in claiming a Rainbow Nation? Have the politics of the country aligned with international party politics to provide a monetary value to freedom? It is particularly noteworthy how theft and greed needle through the story, from the ranks of the officials to the fabric of society until it knits a blanket of deception and covers their foibles.
A group of troublesome actors arrive in a modern city. They tell the story of Ke Xin, princess of the Isle of Joy, who is always obedient until the day the sea brings to her island home a strange sailor, a raving fool without a memory, a man who will challenge everything she believes in. A timeless tale of love, power and transformation that explores many of the key issues faced by young people today. The print edition of the play contains the text of the play in both English and Mandarin.
In ancient China, the young emperor Wu is kept a virtual prisoner in his palace by his scheming guardian, Li Si. For Wu, the world outside the Forbidden City is a dangerous place. But when he hears Xiao, a young peasant girl, talk of the most beautiful sound on earth – the song of the nightingale – it's too much to resist. The two embark on an adventure that will take them across mountaintops and waterfalls, past chattering monkeys and fire-belching dragons to the far reaches of his kingdom. But Wu has an ulterior motive that could threaten the peace of the kingdom. Neil Duffield's reworking of Hans Christian Andersen's classic fairytale, The Nightingale (1844), like his earlier adaptation of Andersen's The Snow Queen, brings a timeless classic into the 21st century. With appeal to family audiences and more, Duffield's plays are performed regularly by schools and other amateur groups, as well receiving regular professional productions nationwide. Productions of this play include Theatre by the Lake, Keswick (2017); The Dukes Theatre, Lancaster (2002); The Watermill Theatre, Newbury (2003) and Midlands Arts Centre, Birmingham (2003).
Floy Quintos considers the misrule that has held many Asian countries back. An Evening At the Opera is a behind-the-scenes portrayal of elite and sinister power, echoing a Philippines that is hopefully gone.
Produced by companies in Britain and Ireland, the play offers a contemporary version of Shakespeare's The Tempest, exploring father/daughter relationships and the need for independence. For 12 years and over.
Aurora Metro Books is an independent publisher of fiction, non-fiction, YA fiction and drama which was established by Cheryl Robson over 25 years ago. Based in Richmond-upon-Thames, near London, the company initiated the Virginia Prize for Fiction in 2009, in honour of Virginia Woolf, who lived for ten years in the same area that the office is based. With a growing list of high quality adult fiction, featuring both new and established novelists, the company has published select international authors and work in translation from around 20 languages.
With over 120 drama plays in print, including works from Robin Soans, Manjula Padmanabhan and Germaine Greer, as well as a formidable list of non-fiction books on theatre, Aurora Metro Books has built a wide-ranging and highly contemporary list of new drama, with collections of women’s drama, international drama and drama by black and Asian writers, proving to be popular with colleges and universities. Aurora Metro Books’ list of plays for Young People is the finest in the UK.