Collaboration and Taking Sides are companion pieces by Ronald Harwood. Taking Sides premiered at the Minerva Theatre, Chichester in 1995; Collaboration premiered at the same theatre in July 2008, when the two plays were staged in repertory.
In 1931, composer Richard Strauss and writer Stephan Zweig embark on an invigorating artistic partnership. But Zweig is a Jew and the Nazis are on the march. Is it possible to keep artistic aspiration and political action separate? How fine is the line between collaboration and betrayal?